MOVIE REVIEW: How to Train Your Dragon: The Hidden World

The end of an era happens on February 22, 2019. How to Train Your Dragon: The Hidden World is the final film in that franchise. All twelve books of Cressida Cowell’s series have been condensed and changed into just three films. Well, there were also four short films and an eight season television series. If that comes as a shock, that’s okay because the film doesn’t address them.

Dean DeBlois once again writes and directs as he’s done for all three films. The love for the characters he’s spent 11 years with is evident in how they’re portrayed. It would have been so easy in different hands for the filmmakers to have forgotten that six years have passed for the characters since that first film. Instead, DeBlois allows them to be young adults struggling with being too old to act like teenagers but not feeling ready enough to take on the adult roles expected of them. It’s the worst for Hiccup (Jay Baruchel); still mourning his father’s death after a year yet still expected to lead his people as Chief. He’s expected to have all the answers. He’s expected to marry Astrid (America Ferrera) and have the next heir to the Chiefdom. He’s expected to be an expert in all things Viking. The pressure is too much, causing him to depend more and more on his dragon, Toothless, instead of Astrid or others around him. Maybe in a way he hasn't let Toothless live up to his true potential either. It’s a realistic portrayal in a film many would dismiss as a children’s film and it’s refreshing to have this realism without depressing the audience. Emotional downbeats are tempered by humor from the dragons or various characters. The only misstep would be Snotlout (Jonah Hill) pursuing Valka (Cate Blanchett) as a M.I.L.F. Valka only had eyes for Hiccup’s father but Snotlout still spends the whole film pursuing her and making overtures that felt uncomfortable to watch. It also would have been nice to pass the Bechdel-Wallace Test especially with such strong female characters like Astrid and Valka.

As with most sequels, How to Train Your Dragon: The Hidden World ups the ante on everything. With a whole previously unseen utopia of the creatures, there are far more dragons than the last two films combined. Dragons of all shapes and sizes and abilities fill the screen; making the most out of that 3D Imax screen. The newest dragon, dubbed the Light Fury, is capable of bamfing and teaches Toothless to do the same complete with lightning powers that require a new tail and features just in time for Build-a-Bear to have new plushies. Still, it’s amazing to be able to see the iridescent sheen on each individual scale of Light Fury’s body. The backgrounds are so real that it’s impossible to tell whether they were painstakingly crafted or actual footage from up north.

When it’s the end of something, there is always trepidation about how it will go. Will the characters leave you with a smile or an ugly cry? For those familiar with the How to Train Your Dragon book series. It’s hard to get past Hiccup’s haunting line, “There were dragons when I was a boy…”

Would it be ignored by the film? Would Hiccup leave Toothless behind just as Christopher Robin once did to Winnie the Pooh? Happily, the answer lies in between. The very last scene is exactly how Hiccup and Toothless should be remembered. It’s a rare feat when a trilogy has the perfect ending to everything that has come before it. How to Train Your Dragon: The Hidden World deserves the praise and is well worth your time.

9.5 out of 10

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Misty, that bottle's kind of big. Why don't I finish it for you?

MOVIE REVIEW: BlacKkKlansman

Spike Lee has always been at the forefront of socially conscious films and his latest, BlacKkKlansman, is exceptionally poignant. In 1979, Ron Stallworth created his own undercover assignment by joining the local chapter of the KKK. It wouldn’t be noteworthy except Stallworth was the first African-American police officer to serve in Colorado Springs. He would talk to various members, and even organization leader David Duke, by phone and a Caucasian officer would pretend to be him in face to face meetings. The film covers this true story and whether anything has changed in over thirty years.

John David Washington is perfectly cast as Ron Stallworth. In the film, his character is straddling two worlds. His job interview even includes the question of what he would do if a fellow cop called him a “n-----“ but also encourages Stallworth to keep his afro. Similar to Sorry to Bother You, the idea of a white voice is explored. On the other hand, Stallworth is expected to spy on a former Black Panther member and describe how the crowd reacted to messages about a future uprising. It’s here that he meets Patrice Dumas (Laura Harrier), the president of the Black Student Union Leader. As his fellow police seek to keep a status quo between the Caucasians in Colorado Springs and everyone else, Dumas wants to break the racial barriers and have true equality. Her words make Stallworth reconsider his own life and decisions. Dumas could have been fleshed out a bit more, but she does pass the Bechdel-Wallace Test, the DuVernay Test and the Sexy Lamp Shade Test. Her influence also presses Stallworth to press coworker Flip Zimmerman (Adam Driver) to consider his own minority status more. Zimmerman might be Caucasian and able to portray Stallworth around KKK members when face to face but he’s Jewish and that makes him just as hated by the KKK and other hate groups as being Black. This was another character that could have used more development to know what he was like before having to realize how much it hurt to lie about his religion with the KKK.

What makes BlacKkKlansman so important at this time also makes for a viewing experience that varies between hard to watch and distracting. Even though the film takes place in 1979, it’s set up to see the parallels with modern day hate. The KKK even discuss how the new agenda should be to go after immigration fears as a gateway to getting people to join. Another part of their agenda is to get candidates that believe in their ideals and maybe someday, they could even put one of their own “in the White House”. Later, several members speak of “making America great again”. It takes the viewer away from the story, disturbing the suspension of disbelief…but is that a bad thing? If forcing the viewer to think differently about current events is the price paid, isn’t that worth it? It borders on overkill with the message to include Charlottesville at the end. However, the aim is to force the viewer into action just as Stallworth and Zimmerman were forced to see how their minority status made their existence tenuous. When it comes to the KKK, hate is not kept just for minorities but anyone that gets in their way, too., like Heather Heyer.

One of the highlights of BlacKkKlansman is Harry Belafonte, who's riveting to listen to and a living Civil Rights icon. The 90 year old’s character recounts a story of a childhood friend being lynched as the scene switches back and forth from his story of the early 1900s with people eager to hate to a 1979 meeting of the KKK where people are still that eager to hate. The Charlottesville ending shows how the hate persists despite people fighting against it. It’s a hard realization and the real focus of the film rather than the characters inside it. The characters are underdeveloped, but the rest is Spike Lee at his best.

8 out of 10